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MetopoArchitects, Chania

The practice

Metopo is an architecture practice of nine people in Chania, founded in 2008 by Eleni Kalogeraki and Andreas Manousakis. We design houses, repair old buildings, and build small public buildings in the west of Crete, most of them within an hour's drive of the office.

We are not interested in a style. We are interested in how a building meets the climate of this island: the long hot afternoons, the north wind, the winter storms, the stone and lime that are already here. Our buildings are quiet, and they are measured, afterwards, to see whether they work.

How we work

Six habits. None of them is new; most of them are older than the buildings we repair.

  • Build with the climate

    Thick walls, deep shade, cross-ventilation, small windows to the north and shaded ones to the south. We design so that a house in western Crete does not need air conditioning, and we measure afterwards to see if it worked.

  • Repair before replace

    The greenest building is usually the one already standing. We repair stone in lime, keep what can be kept, and replace only what has truly failed, to the shape it had.

  • Measure first

    Every project begins with a measured survey, by hand as well as by instrument. You understand a wall only after you have drawn every stone of it.

  • Visit at every hour

    Before we draw anything, two of us spend a day on the site: early morning, noon, late afternoon, last light. Where the shade falls, where the wind comes from, what you hear.

  • Models made by hand

    Card, basswood, plaster and cork, in the workshop at the back of the warehouse. A model shows you what you forgot to draw, and it is how clients decide.

  • Drawings published

    We publish the plans and sections of our buildings, and what went wrong. Other architects in Crete have used our details; we have used theirs.

The building we work in

The office is the middle one of three vaulted warehouses on Akti Enoseos, built by the Venetians around 1590 to store timber for the galleys. Each is a single barrel vault, thirty-two metres long and seven and a half wide, with walls a metre thick and one great arch facing the harbour.

When we took it in 2011 it was a boat repair shed with a concrete floor and no windows. We spent three winters of weekends taking the concrete off, repointing the vault in lime and making a glass screen for the arch, from oak, with the joiner who later built the timber bay on Theotokopoulou Street.

It is the best lesson in climate we know. In August, with the doors open to the harbour, it is the coolest room in Chania; in January the stone holds the warmth of the afternoon until the evening. We work at one long table down the middle, with the models on shelves along the walls and the workshop at the back.

Painted axonometric of the three vaulted warehouses on the harbour, the middle one with a glass arch
Fig. 1The three warehouses. We are in the middle one, with the glass arch.
Inside the vault: the long table, shelves of card models, and the harbour through the glass arch
Fig. 2The long table, looking towards the harbour at ten in the morning.
Section across the three warehouses: three stone vaults side by side, with people for scale
Fig. 3Section across the three vaults. 1: the vault, a metre of stone and lime. 2: the long table. 3: the workshop next door.

The people

9 of us. Everyone draws, everyone goes to site, and everyone makes models on Fridays.

We are looking for an architect and a model-making intern

Since 2008, briefly

  1. 2008

    Eleni Kalogeraki and Andreas Manousakis open the office in two rooms in Halepa, with one client and a borrowed plotter.

  2. 2009

    Anna Petraki joins. The first house, in Kefalas, is finished the following year.

  3. 2011

    The office moves into a sixteenth-century warehouse on the harbour and spends three winters of weekends repairing it.

  4. 2014

    The first public building: the municipality of Apokoronas asks for four classrooms at Vamos.

  5. 2016

    Work starts on the terraces at Anopoli, four summers on a hillside with two masons and 140 volunteers.

  6. 2021

    The house on Theotokopoulou Street wins the prize for repair at the Heraklion Architecture Days.

  7. 2025

    The office publishes its book, The Shaded House, and starts casting the vaults of the market hall at Kissamos.

  8. 2026

    Nine people, seven projects on the boards, one on the harbour wall waiting for another chance.

Awards and press

Kept here because clients ask. The drawings are a better guide.

Awards

  • 2024

    Aegean Prize for Architecture, houses

    Aegean Architecture Foundation, for the House at Kalami

    First prize in the houses category.

  • 2024

    Second prize, harbour pavilion competition

    Municipality of Chania, for the Harbour pavilion, Chania

    Of 46 entries. The jury called it the most modest and the most precise.

  • 2023

    Cretan Building Awards, places of work

    Cretan Building Awards, for the Winery at Voukolies

  • 2022

    Commendation, Mediterranean Stone Awards

    Mediterranean Stone Awards, for the Terraces at Anopoli

  • 2021

    Prize for repair

    Heraklion Architecture Days, for the House on Theotokopoulou Street

Publications

  • 2025

    The Shaded House: notes on building in western Crete

    Metopo, 192 pages, in Greek and English

    Our book: twelve buildings, their drawings, and what we got wrong.

  • 2023

    The house around a tree

    Kelyfos quarterly, issue 41, for the House at Kalami

  • 2020

    A school for shade

    Stone and Lime journal, for the Primary school at Vamos

Lectures

  • 2025

    Repair before replace

    School of Architecture, Chania

  • 2023

    The cellar in the hill

    Thessaloniki Architecture Week, for the Winery at Voukolies

Exhibitions

  • 2026

    Models, 2008 to 2026

    Neorio Gallery, Chania

    Eighty of the office's models, May to June 2026.

  • 2019

    Measured by hand: surveys of old Chania

    Neorio Gallery, Chania, for the House on Theotokopoulou Street