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Work Moro Olive Mill

Moro Olive Mill, 2025

Four generations, one tin

Sector
Food and drink
What we did
Packaging, identity
Where
Messinia, and delis in Athens and Munich
How long
10 weeks
Moro Olive Mill identity applied: two olive oil tins with the harvest ring label

Packaging for a family mill whose oil was better than every label on the shelf next to it.

6 weeksearlier sell-out of the 2025 harvest

The brief

Moro presses oil from its own groves and three neighbours'. It sold well at the mill door and badly everywhere else, because on a supermarket shelf it looked like forty other bottles with an olive branch on them.

The real problem

Good oil in a bottle that looks like everyone else's is invisible. The shelf decides before the taste does.

What we did

We dropped the bottle for a tin, which keeps light out and stands out on a shelf of glass. Each harvest gets a pattern of concentric rings, one ring for each grove in the blend, so the tin tells you what is inside before you read anything. The typography is set large enough to read from the end of an aisle.

What we made

  • Tin in 250 ml, 500 ml and 1 litre
  • Harvest ring system, one ring per grove
  • Shipping box and gift sleeve
  • Price cards and shelf talker

On the wall

The ring pattern won on the second day. The wordmark took three more weeks.

Every Friday at four, each project in progress is pinned up at real size. Why we print it

Moro Olive Mill work in progress: the pattern, three wordmark directions with one ringed in gold, the palette and a sticky note pinned to the studio wall
A supermarket shelf of green olive oil bottles with three dark Moro tins standing out in the middle
The shelf test we ran before the client saw a single design: forty green bottles and one tin.

What changed

Two delicatessen chains in Athens and one in Munich now stock it. The mill sold its 2025 harvest six weeks earlier than any year before.

  • 6 weeksearlier sell-out of the 2025 harvest
  • 3new stockists, two in Athens and one in Munich
  • 0olive branches on the label

My grandfather would not have understood a tin. He would have understood the rings.

Yannis Moro, fourth generation, Moro Olive Mill

Palette

  • #1E1E14
  • #6B7A2A
  • #C9A227
  • #E9E2C8

Credits

Creative direction
Eleni Markou
Packaging design
Aiko Hayashi
Illustration
Chara Vlachou
Tins
Aegean Metal Packaging, Oinofyta

More packaging or identity

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